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Curiosity and Creativity: Ep. 135: You Keep Shooting: Adorama Photography TV




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Title :  Curiosity and Creativity: Ep. 135: You Keep Shooting: Adorama Photography TV
Lasting :   4.13
Date of publication :  
Views :   39 rb


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Description Curiosity and Creativity: Ep. 135: You Keep Shooting: Adorama Photography TV



Comments Curiosity and Creativity: Ep. 135: You Keep Shooting: Adorama Photography TV



Adam Phillips
Love it
Comment from : Adam Phillips


D Mp
I love your creative approach for people! I have learned already just from watching a few of your short videos
Comment from : D Mp


sami cevik
Br,i think if you do open aperture you loose dept of field thats why f32 he got almost everything sharp because of it
Comment from : sami cevik


Pink Elephant
Its always so good to see him teaching something
Comment from : Pink Elephant


Ashley DeMello
did he go to school for photography? How did he get so good?
Comment from : Ashley DeMello


Sergio Cortinovis
i think he used f32 because of depth of field if i understood correctly (my english is very bad) he was using a 105mm lens, and i think that his lens was far from the glass not more than 30cm long focal lenses and short focus distance produce very shallow depth of field i think that in this situation, with 105mm lens, f32 and 30cm focus distance, depth of field is not more than 1 or 2 cm!
Comment from : Sergio Cortinovis


Faisal AhmedKutty
just wondering why did he shoot at f32 he could have done with a much lower f stop and get a decent shutter speed and depth of field any answers?
Comment from : Faisal AhmedKutty


Robert M
Thanks again Bryan Like he says in every video "You keep shooting" try every setting and see which one you like best
Comment from : Robert M


Stephen Sheoskie
interesting to say the least, I got the juices flowing
Comment from : Stephen Sheoskie


Dr Gasgeber
Its so good to see Nick Nolte at work again
Comment from : Dr Gasgeber


Prey521
HAHAHAHAHA
Comment from : Prey521


clipse85
And just to be clear I'm not bashing Peter or complaining or anything like that I simply expressed my concern about an issue Most people watching these videos are probably amateurs like me, but some of them may not know about the relationship of aperture and diffraction, so it seemed important to me to point that out
Comment from : clipse85


clipse85
@chasVS391 What I said is scientific fact, and can be tested and has been tested and proven many times It has nothing to do with being a famous photographer or not One can get away with F22 on negative film, but the pixel density of most digital sensors prohibits the use of those small apertures, at least if you want to make the most of the resolution of your camera No, I'm not a world renowned photographer, photography is my hobby, and I'm a computer engineer What's your background?
Comment from : clipse85


Chas VS
@clipse85 Let's see, Bryan World renowned photographer, You, not Amazing isn't it? Bryan, thanks for the info Hope to be shooting with you again soon!
Comment from : Chas VS


clipse85
After all when you shoot landscapes, you need as much resolution, as you can get in order ti print really large prints, and you don't get that at even f16, let alone f22
Comment from : clipse85


clipse85
It truly amazes me how easy Bryan recommends using f22 and up in almost every video At those apertures one is left with maybe 3 to 4 megapixels worth of true resolution on that full frame sensor (I don't even want to think about the more dense crop sensors) because of diffraction Yes, you need the DOF for macro, but as another commenter said, there is the method of focus stacking for that And for landscapes most of the time even f16 is overkill, as shorter lenses have more DOF to begin with
Comment from : clipse85


Robert Herrera Photography
Just how curious are you? Sound kinda creepy lol
Comment from : Robert Herrera Photography


Lysander Spooner
Thanks
Comment from : Lysander Spooner


jaminthomas
So true That explains why some people get hung up on the quality of the video, the audio is not crystal clear, how many megapixels or mega low light ISOs of the latest cameras instead of trying to expand their creativity Society drums into us more is better and the latest is the greatest and we have to resist the urge I am trying to adopt the David Duchemin philosophy "gear is good vision is better"
Comment from : jaminthomas


jaminthomas
When you are inches from the subject, depth of field is millimeters even if stopped down to f22 Thats the challenge of macro photography because a lilly's stamen will be in focus and the petals blurred even though the petalsa are 4 mm from the plane of the stamen Thats why some photographers use focus stacking software (Helicon Focus) to combine the different planes of focus in macro photography
Comment from : jaminthomas


jaminthomas
Also, macro lens requires a specific technique that can be frustrating if you are not prepared Because of the close focusing, you have to stop down to f16 to anywhere up to f32 or f45 to get reasonable DOF This increases exposure times dramatically so a tripod is essential as in the video (20secs) A macro ring flash can help to shorten times but thats another few hundred dollars for a specialty application You have to be committed to enjoy macro photography Good advice Bloatedsesations
Comment from : jaminthomas


Bogdan Trestianu
because it's a macro lens ;) and even with a narrow aperture the depth of field is so tiny
Comment from : Bogdan Trestianu


dphotos
Years ago I played with different glass from a stain glass supplier You can get different shapes, patterns and colors I used 4" x 4" square shaped glasses and placed in front of the lenses The shop can cut your glass for you This is kind of the same idea Since you like to put up ideas for photography How about setting up a few lights and a mic on yourself Your videos would look better
Comment from : dphotos


1717jbs
Great! Thanks Bryan
Comment from : 1717jbs


Paul
Mr Peterson has problem with wide aperture!
Comment from : Paul


GOJIN1980
Great shot!!!
Comment from : GOJIN1980


Brian Phillips
It's a macro lens It's got a much closer minimum focusing distance than a telephoto
Comment from : Brian Phillips


elr2141979
I was a really nice work awesome creativity
Comment from : elr2141979


Bill Davidson
Wow Brian - that's really cool Great video Bill
Comment from : Bill Davidson


WiseGuy02
What's with the video size?
Comment from : WiseGuy02


RM011908
Amazing creativity
Comment from : RM011908


Joshua Vince
great to see nic nolte working again
Comment from : Joshua Vince


BrotherBloat
cool stuff, as always! :D
Comment from : BrotherBloat


oceandrew
There is something for everyone in these vids
Comment from : oceandrew


Víctor Vargas
great idea, but where's HD video?
Comment from : Víctor Vargas


Scott Nelson
Cool idea!!
Comment from : Scott Nelson


Emiliano Caro
What happened to 720p? New mic for Bryan ends with low res vid? lol
Comment from : Emiliano Caro


LordTerenas
you are absolutely right! this would be my reason too in an episode of DP101 Mark Wallace noted out that many people forget that not only your f-value determines your DOF Distance to subject and Focal length is very much into it too, and so, Bryan compensated for the latter two, with the f-32 value :)
Comment from : LordTerenas


dmunro91
I think it is because depth of field is affected by the distance from the camera to the subject (as well as other factors like Aperture, Focal Length, Subject to background distance etc) When focusing on something very close (ie macro work), you need to stop down your aperture in order to ensure you have a usable "deep" depth of field, since the above factors contribute towards a narrower dof Don't quote me on this though because there may be other reasons!
Comment from : dmunro91


dbinkc Buchanan
I'm amazed to see how your creative mind works with photography! I love your photography tips and ingenious tools that keeps photography challenging and funThx for the ideas!
Comment from : dbinkc Buchanan


Cripple Bypass Photography
Can you explain your reasoning behind f32??
Comment from : Cripple Bypass Photography



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